Eminem provides a teachable moment on his song Fall off his surprise album Kamikaze

Before I get into this, a recent reflection (at least I think it’s recent) of Eminem rocking a Paris/The Devil Made Me Do It shirt surfaced which caught many who don’t really care for Em or listen to his music off guard.

I explained to them Em is a true student of hip hop music. His love for artists like LL, Treach of Naughty by Nature, Redman and Rakim is well documented. He is not one of those weirdos that think hip hop began with Biggie and 2pac. I remember well reading an article in which he mentioned how he used to listen to X Clan and thought they were racist which made me chuckle.

Anyways on his song Fall, Em goes at hip hop legend, let me repeat that, hip hop LEGEND Lord Jamar with the following lyrics…

“And far as Lord Jamar, you better leave me the hell alone
Or I’ll show you an Elvis clone
Walk up in this house you own, thrust my pelvic bone
Use your telephone and go fetch me the remote
Put my feet up and just make myself at home
I belong here, clown, don’t tell me ’bout the culture
I inspire the Hopsins, the Logics, the Coles, the
Seans, the K-Dots, the 5’9″s, and oh
Brought the world 50 Cent, you did squat, piss and moaned
But I’m not gonna fall… bitch!”

Now….while I can appreciate the reference to Brand Nubian’s classic Love Me or Leave Me Alone, he can chill with the white hip hop savior shit and did he really say Lord Jamar did squat!? Em is smarter than that. Em may have inspired many of those artists he mentioned but he is also the father of the pill poppin’ mc and this newer drug culture in hip hop, much of which he seems not to care too much for in various verses off his new album. Lord Jamar, an affiliate of the heavily influential Native Toungues crew which included other influential acts like A Tribe Called Quest, Jungle Brothers and De La Soul to name a few, brought dead prez, a much more important hip hop act than 50 Cent, D12 and Obie Trice to Loud records who as Lord Jamar mentioned on my show created some of the most revolutionary music in hip hop to date, the type of music that adds on to the culture of hip hop and instills a sense of racial pride, brings credibility to the music d’void of all the disrespecting of women and genocide on wax, just as Brand Nubian did before them. What exactly does Em with a lot of his shock rap and 50 Cent with his tired gangsta, bitch, ho, I get money, nigga nigga nigga rap inspire or inspired? Most of these new wack rappers every body can’t stand (especially the ones with winy wack ass irritating voices like Em) guess what? They grew up listening to and were inspired by Eminem and 50 Cent! Artists that listened to and studied Brand Nubian and dead prez nowhere near as wack, in fact they tend not to be wack period! Chew on that shit. Reminds me of a KRS line, “People that buy KRS-One goin places. People that buy your shit, they catchin cases!”

Take Eminem and 50 Cent out of the equation when it comes to hip hop like they never existed, guess what? Hip hop is ok, maybe better. Take Brand Nubian, Native Tongues, dead prez and other contributions Lord Jamar made to hip hop like his 5% Album and hip hop is missing something very special along the same lines as other great black artists in music like Stevie Wonder, Marvin Gaye, James Brown, Aretha Franklin, Ray Charles, Michael Jackson, Prince, 2pac, Public Enemy, Bob Marley etc etc etc. I can’t put a 50 Cent or Eminem in that tradition of great artists.  Seriously, what makes Eminem and 50 Cent special? Is Eminem a great mc? YES! But there are many great mcs, what makes him special? Because he white!? Gotta come with more than that. So you brought the type of music rapping about killing ya moms and in a video burying her to hip hop culture (wtf!?) But that’s not how we get down in the environments hip hop was birthed out of. Keep that trailer park trash shit to ya self. Even though we may have beef with our mothers we don’t air it out on song like that. A great example of how we get down is Pac’s Dear Mama in which he says, “even as a crack fieeeend mama, you always was a black queeeeeen mama!” Just one of many examples as to why Em will never be as great or important to hip hop as an artist like 2pac. We love our mothers, I fast and pray no brother in hip hop in front of a sellout crowd asks them ,”if you got beef with your parents put your hands in the air.” Something Em has done, we don’t need that in hip hop. Keep that energy.

I can go in more about what you can expect to hear in hip hop music vs what is not welcome but I already went over that when I wrote a review on the shows we had Lord Jamar as a guest here. You say Get Rich or Die Trying was a hip hop classic? Whatever, you know what was better by a group Lord Jamar introduced to the world? How about Get FREE or Die Tryin’?

Em’s new album Kamikaze is dope as well, but you know what album which had the same title I enjoyed more that flips that speed rap much better? Check it…

Lastly, I already built on the importance of stic man’s (again, an artist that Lord Jamar introduced to the masses) Workout album on a previous show here. But what I wanted to build on next is the advancement of hip hop culture. At first I felt God Hop was the next wave but it was just too many heads co opting the term that don’t necessarily live out it’s principles as with hip hop. So now we have something much more concrete and defined with what stic is bringing with Fit Hop which is defined as….

“FitXHop is a rising new sub-genre of hip hop with themes of health fitness and well being founded by dead prez ‘s Stic.man with the release of his critically acclaimed full length album THE WORKOUT. FitXHop is a vision for a refreshing alternative to counter balance the current negative, drug promoting hyper consumerism wave of mainstream contemporary music, providing street certified affirmation, and inspiration for healthy transformations.”

So pretty much if an artist is not coming with any of that above they cannot lay claim to Fit Hop. This is some truly next level shit, this is what an artist Lord Jamar introduced is bringing to the culture. So 50 Cent made the 50th Law which reads like it borrowed much from Supreme Understanding’s How to Hustle and Win. Well you know what’s better than the 50th Law? Check it……

In closing, in a culture that birthed the likes of LL, Rakim, Chuck D, KRS One, Lauryn Hill, Kane, Outkast, Black Thought, Common, Paris, Wise Intelligent, Brand Nubian, 2pac, Nas, Wu Tang, Guru, etc etc etc, an artist like Em will NEVER be the greatest. I don’t care how good of an mc he is, AN ARTIST LIKE HIM with his content will NEVER be the greatest, that is all.

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Rakim Allah the greatest mc ever?

Peace!!! Getting ready to go see Rakim for what I think is the third time in my life tonight. This time is special though as I will be going with my 15 year old son thanks to friends from the School of Hip Hop Phoenix.

(reflection below was added after the show)

With that being said, I wanted to share a build I wrote years ago as to why Rakim is credited as being one of if not the greatest mcs in hip hop ourstory.  It’s between him and LL for me and as a matter of fact if Radio didn’t come out before Paid in Full I might side with Ra. Paid in Full had cuts that were eerily familiar because they sounded like tracks on Radio, that’s just my opinion (listen to I Need A Beat and then listen to My Melody)

But many new heads getting into hip hop culture do not understand why Rakim is so great because they do not research and understand how he changed the game and raised the bar, do the knowledge…

LEGACY
Many hip hop/rap artists (both underground and mainstream) acknowledge a huge debt to Rakim’s innovative style; one of his more prominent fans is Nas, who dedicated a song to the 18th Letter, U.B.R. (Unauthorized Biography of Rakim), on his album, Street’s Disciple. Raekwon of the Wu-Tang Clan also dedicated a tribute to Rakim entitled Rakim Tribute which was released on the The DaVinci Code: The Vatican Mixtape Vol. II in 2006.

Rakim also made cameos in the Juelz Santana video Mic Check, the Timbaland & Magoo video Cop That Disc and the Busta Rhymes video New York sh*t. Eric B. and Rakim’s classic album Paid In Full was named the greatest hip hop album of all time by MTV. (It would mean something to yall if it was your fav mc)

Tupac Shakur also pays tribute to Rakim in a song called Old School as well as many other legends which is a great song for cats to do research on.

TECHNIQUE
The five techniques, among others, that Rakim used to revolutionize hip hop and propel himself to never-before-seen heights in lyricism were multi-syllabic rhymes, unconventional rhymes, internal rhymes, cliff-hangers and catch phrases.

  1. Multi-syllabic rhymes
    Before Rakim, hip hop rhyming generally consisted of one or two syllable rhymes like “cat” and “hat”, or “city” and “pretty”. Rakim created a unique style with more complex multi-syllabic rhymes like “residence” and “presidents”. He sorta explained his style and gave away some of his secrets in his video that played during the segment that honored him at the VH1 Hip Hop Honors years ago.
  2.  Unconventional rhymes
    He also used unconventional rhymes never before heard, or even thought of it seems. Prior to Rakim, conventional rhymes of words like “Mary” and “Harry” were universal. He was the first to introduce an unconventional rhyming technique. “I write a rhyme in graffiti ‘n’ every show you see me in, deep concentration ’cause I’m no comedian”, is a perfect example of his rhyming of unconventional words and combinations of words.
  3. Internal rhymes
    Rakim also performed verses loaded with internal rhymes. Pre-Rakim, hip hop rhymes almost always came one at the end of each verse. But Rakim stuffed rhyme after rhyme into his verses and raised the bar for emceeing to a mind boggling level. “When I’m gone no one gets on ’cause I won’t let nobody press up and mess up the scene I set”, is a typical example of the way Rakim delivered rhyme overload in his verses.It is important to recognize that while Rakim may have been the first to use multi-syllabic and internal rhymes in rap, poets had been using them long before. For example, in King LearShakespeare writes…Fathers that wear rags
    Do make their children blind,
    But fathers that bear bags
    Shall see their children kind.

    This is an example of what is sometimes called compound rhyme (wear-rags and bear-bags).
  4. Cliff-hangers
    His introduction of the cliff-hanger is another technique that helped him single-handedly take rapping into the twenty-first century and beyond. Every verse used to conclude a complete thought, but Rakim was the first to create the incomplete thought that forced the listener to wait for the next verse for fulfillment.“But now I learned to earn ’cause I’m righteous, I feel great so maybe I might just…” is an example. This verse does not end in a complete thought. It ends in a cliff hanger that forces the audience to wait for the next verse to find out what he might just do, which is “…search for a nine to five”. The movie-like suspense embedded in the rhyme heightened the already high sense of drama inherent in hip hop rhyming.
  5. Catch phrases
    Not to be outdone is Rakim’s popularization of catch phrases. He rapped, “I can take a phrase that’s rarely heard, flip it now it’s a daily word”. “Master plan”, “dead presidents”, “pump up the volume”, “puffin’ up my coat, clearin’ my throat”, and “it ain’t where you from it’s where you at”, are but a tiny handful of the many catch phrases that Rakim popularized. The phrase “dead presidents” alone has spawned at least two movies (Dead Presidents, All About the Benjamins) a rap group (dead prez) and too many songs to count, including All About the Benjamins by Junior M.A.F.I.A. and Dead Presidents I and II by Jay-Z. In addition, the Nas line “I’m out for dead presidents to represent me” in The World is Yours, and Eminem’sWe Are Americans” “I don’t rap for dead presidents; I’d rather see the President dead It’s never been said, but I set precedents” utilizes the popular phrase as well. The phrase refers to money, in the fact that most dollars display images of dead presidents.

Last but not least Rakim is sort of a hip hop hero. When it was learned that Rakim signed to Dr. Dre’s Aftermath records, many panicked thinking Rakim would be having an overabundance of tiresome “gun bar” tracks and radio friendly r and b tinged joints ala Truth Hurts’s Addictive. While it was revealed that that may indeed have been the case in what Dre wanted, Ra wasn’t with it and due to creative differences eventually parted ways with Aftermath. In a world where over 85% of folk will prostitute in order to do anything for fame, Rakim is celebrated as one in hip hop who stood firm on his square and stuck to his values. Should not be surprising to anyone who saw the beginning of his Guess Who’s Back video in which he states to the temptations presented by the devil manifested, “NEVER that man, I work for a higher cause!” Indeed God………indeed.

TRUE SKOOL RADIO has been completely funded for the people and by the people for over six years with no corporate ties or wack sponsors. Neither are we a 501c3 limited in what we can do by government oversight and approval. We are a COMPLETELY independent media source that serves the wants and needs of the community. If you enjoyed this read and want to show support or appreciation for all things TRUE SKOOL RADIO feel free to leave a small or big donation by clicking here

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